Oswald Achenbach (German, 1827-1905)
Blick auf Capri
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Marian Engel, from Notebooks: “Ah, Mon Cahier, čoute”
Text ID: The moon / Rose from the sea like Aphrodite
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Stack of Books - Jean-Philippe Delhomme
French, b. 1959 -
Oil, 23 x 17 cm.
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Claude Monet (French, 1840-1926)
Route à La Cavée, Pourville
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INTERVIEWER: It didn’t feel like a poem, it felt like falling into a painting, or as if someone had handed me a jewel.
CARSON: Yes, that you travel inside of. I think that’s what poems are supposed to do, and I think it’s what the ancients mean by imitation. When they talk about poetry, they talk about mimesis as the action that the poem has, in reality, on the reader. Some people think that means the poet takes a snapshot of an event and on the page you have a perfect record. But I don’t think that’s right; I think a poem, when it works, is an action of the mind captured on a page, and the reader, when he engages it, has to enter into that action. And so his mind repeats that action and travels again through the action, but it is a movement of yourself through a thought, through an activity of thinking, so by the time you get to the end you’re different than you were at the beginning and you feel that difference.
— Anne Carson, from The Art of Poetry No. 88
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